Recent Events

I give the talk, "Machinic Refusals: Paik's Robot Politics," at the Nam June Paik Symposium at the Nam June Paik Art Center.

I join the board of the Politics of the Machines international research platform.

I publish a new article, "Automaticity and Endings: The Revivification of Alvin Lucier," in the journal Technoetic Arts.

New collaborative performance with Ximena Alarcón, Julian Day, and Grupo Hipertrópico, The Year My Voice Broke—Teletraining, hosted by TURBA and Curating Contemporaneity.

I present the paper, "All Creativity is Artificial," at the conference Musical Creativities in the Age of AI and Posthuman Criticism at Justus-Liebig-Universität Gießen.

I present the paper, "All Creativity is Artificial," at Politics of the Machines: Synthetic Sentience at the University of Western Australia.

I present the paper, "Singing Emeka Ogboh’s The Song of the Germans," at the College Art Association 113th Annual Conference in New York City.

I publish "Music in a Wired Brain: Experimental Music and the Contemporary Posthuman" in Solitude Journal.

My work, "Concrete Study Remix," appears in the Sound Pedro festival.

I publish a review, "Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision," in Twentieth-Century Music.

My chapter, "Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art," appears in New Music and Institutional Critique.

I join the TV, Radio, and Film department at Syracuse University as an Assistant Professor.

I present a talk on a chapter from Experimenting the Human at Instruments, Interfaces, Infrastructures: An Interdisciplinary Conference on Musical Media held at Harvard University.

New book, Experimenting the Human: Art, Music, and the Contemporary Posthuman, is published by the University of Chicago Press.

Premiere of my new work, I am Sitting in a Zoo (on Zoom) (2022), presented as part of the Tokyo Gen'On Project's Zoomusic program.

My new esssay, "Technological Catastrophe and the Robots of Nam June Paik," appears in the prestigious critical theory journal, Cultural Critique.

I join the Media Arts department at New Jersey City University as Assistant Professor.

My article, "Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art" appears in the peer-reviewed journal Twentieth-Century Music.

I present a talk on Nam June Paik and my new book at Recursions: Music and Cybernetics, a conference organized by Patrick Valiquet & Christopher Haworth at the University of Edinburgh.

I present my new research on Nam June Paik's Robot K-456 at the ASAP/11 conference at the University of Maryland.

With Christian Grüny and Georgina Born, I co-organize a panel, “Unhearing the Absolute: Theorizing Music After Absolute Music,” at the Music and Philosophy Study Group 7th Biennial Conference at King's College, London.

I present "Unhearing the Contemporary: Toward a Musical Contemporary Art" at the Transformations of the Audible symposium in The Hague, Netherlands.

"How We Were Never (Post)human" at the Sonologia International Conference on Sound Studies.

"How We Were Never (Post)human" talk, part of the Music Now series, at Brown University.